Since I became a newsletter editor, I have struggled with the question, what is drama? What makes a story into a drama? This has been especially difficult as I sought out works to include as editor’s picks. I fear a riot should I inadvertently include a non-drama piece – but I’m sure it would make for a dramatic uprising.
What else could I do but search the dictionary – or in this lovely modern era, dictionary.com? The site discusses various aspects of a play or theatrical production, then moves towards the definition of drama as a genre. The two interpretations that stuck out most to me were:
an episode that is turbulent or highly emotional
the quality of being arresting or highly emotional
In both instances, the phrase Dramacool ‘highly emotional’ stands out. To write a dramatic piece, it seems that emotion must be the primary focus. The activity that occurs is important, of course, but without an inner or emotional change, the piece is not a drama. It may be a fine story, fit for the science fiction or action/adventure genres, but not drama.
This is not to say that a science fiction or action/adventure piece cannot be drama. I think many pieces can be classified as both. The difference is how relevant the emotion is to the story. Do we find ourselves mainly rooting for the hero to overcome his nemesis, or do we also hope he can defeat his childhood demons?
I’ve noticed most movies seem to be picking up the trend, perhaps not wanting to be considered ‘shallow’. They want to be deep, or maybe they just want to appeal to the ‘chicks’ as well as the guys. For some reason, the movie Batman (the first one, with Michael Keaton) sticks out in my head. Poor Brucie struggles to overcome the emotional upset of confronting his parents killers. Contrast this with the Adam West Batman shows and you’ll see the difference. Now, this doesn’t mean I consider Batman a drama, but they sure did try, didn’t they?
Back to writing. How do we bring out the emotion in our characters? How do we put ourselves in our characters shoes if we’ve never felt what they have? How do we make sure our readers are convinced?